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On kickflips and cranberries.

Westgate is at it again.  Frontside 360s over the bar at 3rd and Army.  Back smiths up handrails.  Perhaps this blog was slightly off in taking SennDawg’s  spot on the roster.  The Barley comparison seemed too easy- New Englanders who seemed to make more of a name for themselves in New York than Boston.  And they look like each other.  Hell, you could probably convince numerous people that a grainy youtube viewing of Barley’s Welcome to Hell part was actually Westgate.

The issue of music cannot be ignored anymore.  The Heart song in State of Mind wasn’t great, and when it was repeated in Stay Gold, we started to wonder.  Does he really like mediocre metal that sounds like it should be blasting from an IROC?  If he didn’t skate, would he have tight jeans, stretched ears and hang out in the mall food court?  Is this all groundwork for him to set up a Chris Cole-esque pilgrimage to ride skull boards that say Zero?

Puffy white DCs or not, Brandon has got style.  Quartersnacks drew a spot on comparison of the famous Kalis kickflip over the bum from Peep This and Westgate’s over the bar.  The juxtaposition is bonkers.  Click the picture for a link to the video.

It’s that time.  Leaves are changing, people are frantically devouring apples, Major League Basesball is ostensibly over, and flannel is out and frighteningly in fashion.  Fall.  Though we tend to eschew the sweeter side of the harvest (pumpkin, some squashes, and sweet potatoes,) apples find their way into the Tiny Capers kitchen pretty frequently.

After spending skateboard monday in Southie, I needed something quick and simple to make.  A cursory pantry check yielded frozen veggie broth, a parmesan rind, a bag of navy beans, carrots, apples, and potatoes.  It seemed like soup.

First, there was the issue of broth.  I had three cups, and needed around 8.  There was also the issue of what to do with the (mostly) worthless parm rind.  Rather than toss it, I threw it in with half a can of beer and some water, bouillon cubes, and the frozen brick of already made broth and let it all simmer together.  By the time the broth had come together, the rind was broken up into small pieces and continuing to disintegrate into the broth.

I chopped carrots, sweated them out a bit with butter and thyme, and threw in potatoes and apples. Finally threw in the broth and beans, some salt, cumin, and a pinch of apple cider vinegar.  Lo and behold, 40 minutes later, there was soup.

While not groundbreaking, it was simple enough to make with 20 minutes of prep and 40 minutes of couchtime.  Ideally, you’d have lentils in the pantry and switch them out for navy beans (with a puree!) with onions and  but this works in a pinch.  Any ideas on what kind of cheese, if any, would work well on top of this?

Recipe after the jump.

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Here at Tiny Capers, we advocate hip hop.  Especially hip hop performed by dudes who seem like they’d be fun to drink beer with.  Nobody wants to hang out with Lil’ Wayne.  Dude is crazy.  Eminem is probably a bummer.  Chuck D is going to talk your ear off about sociology while you’re just trying to kick it.

The Wu-Tang clan were essentially raised on a strict diet of blunts, 40s and kung fu movies.  In addition to talking about the requisite gangster shit, their lyrics are also laced with references to comic books, food, soul music, and general pop culture.  There is a general vibe that they’d be fun to have over, put on a Marvin Gaye record, smoke some weed and eat a big dinner with.  Ghostface seems to best exemplify this style.

Pretty Tony’s initial offering is legendary.  Nearly flawless from beginning to end, it showcased the holy trinity of Ghost, Rae and Cappadona, in addition to allowing Ghost to come into his own.  Though the foundation for his style had already been established, he was able to build on it in new ways.  Most notably, he delves into his soul, bearing struggles that most rappers chose to avoid mentioning.

The album largely deals with his signature subject matter (selling crack, wallabees, getting his dick sucked, pasta, etc,) there is a distinct vulnerability involved as well.  ‘All that I got is you,’ a tribute to his mother is the low hanging fruit.  As does the vivid-but-bleak portraiture of street kids on ‘Motherless Child,” but the greatest glimpse into Tony’s arc reactor is at the end.

‘The Soul Controller’ , The last song on the album (depending on whether your cd/tape/record/illegally downloaded MP3s have it or not**), shows our hero displaying a bit of a cognitive dissonance.  Having largely spent the album glorifying selling coke and the riches of doing so, the last track more or less slams on the brakes and heads in the other direction.

The usual deification of the players on the streets is abandoned, instead highlighting the paranoia, stress, and ever-coming generations of new heads.  Lamenting over ‘being watched all day like enemy’s prey’ and over homies growing old and soft, he sets a realistic and gritty scene, detached from the hair metal decadence of modern coke rap.  As he says in the first two lines though, ‘these streets got me backed down, how can I escape?  How can I survive without bubblin’ weight?”

Finally, he ends the verse with ‘time to motor, travel like a foul odor.  Clear my head, stay sober, the soul controller.’  He is very aware of a transitional point in his life, leaving behind a life on the streets to deal with the cutthroat music industry.  In The Tao of Wu, RZA surmised that the use of the Ironman theme in the album was also due to his diagnosis with diabetes, and there may be hints of acknowledgment of his disease and continuing to move on.

Sam Cooke’s vocals in the chorus are almost unrecognizable.  Stripped of the orchestra, optimism and horns, his voice is haunting.  Rather than instilling hope, his words seem to be a desperate cry for an escape.  Cooke’s song pertains to civil rights, but few could argue against parallels being drawn between the America in the early 60s and a black man being raised in Staten Island projects in the late 80s.

The second verse descends further into Ghost’s psyche, beginning with ‘sink deep into the fog, big buffalo large.’  Scholars for centuries will hope for some sort of modern rosetta stone (possibly made of purple suede or gold, or just a big chunk of crack) to decipher his slang, so we’ll just take it at face value and assume that he’s trying to say something about his desire to disappear (possibly in a cloud of smoke) and his inability to do so.  As a prominent rapper/trapper, he may just be looking for a way to walk down the street without having to watch his back.  He continues as he laments how difficult it is to ‘keep up with these keons who smoke dust.’  Though the second half of the verse is lost in a convoluted rant that seemingly pertains to the rich staying rich, he reminds us that even the crackheads weren’t always crackheads with ‘vaseline lips is cracked cuz they all had dreams.’

The third verse is kind of just crazy people talk, including a Gilligans Island reference,proclaiming that he ‘loves his car, it’s near choppy’ and that he has a plate of some kind in his head.  The beat also takes a weird turn with some sort of harpsichord type bridge.

Cooke returns at the end, proclaiming that he’s ‘so tired of living, but [he’s] afraid to die.’  Following it is an edited version of the monologue from the end of ‘Carlito’s Way’ with any of the positivity removed.  This could be Ghost wondering if he too is going to go soft and get lit up on a subway platform, or be able to successfully walk the straight and narrow without the game.  The final quote, from ‘The Usual Suspects’ pertains not to the movie, but rather that evil exists.

Bad situations are ever-present in rap/hip hop.  They are almost invariably paired with the artist’s braggadocious claims of conquering their situation and buying a twelve bedroom house on easy street.  Rather than gloating about success, ‘The Soul Controller’ seems to be an internal monologue questioning his trajectory up to that point.  There is an understanding that his life is at a pivotal point, and that there are no clear answers as to where to head.  Cooke’s sample blends into the song perfectly, echoing the fear of the future.  Despite being released 14 years ago next week, it is nowhere near dated.  Rather, the song maintains relevancy despite his success, which speaks volumes to his talent.

**Sam Cooke (or his family, or whoever owns his music these days,) was pretty bummed that Rza sampled his song in a song about being a coke dealer.

Not acknowledging the fact that this hasn’t been updated in ages, here are some links:

Temple Bar, which we have never heard of because we rarely venture off of the mainland except for Saturday soul night at ZuZu, apparently were the first in the Boston area to start barrel aging cocktails.  One has to wonder why they chose  negronis though, as negroni season clearly runs from the end of spring until it gets cold at night.  Via grubstreet.

-In a groundbreaking twist of fate, an inspector for the Alcoholic Beverages Control Commission got caught accepting a bribe.  This may be especially shocking to the small restaurant/bar owners who were only able to get cordial licenses, despite the fact that every Lyons Group / Back Bay Restaurant Group place that opens manages to get a full bar.  Via The Globe.

-Speaking of the Globe, they have a writeup on an up and coming neighborhood in Lower Manhattan, somewhere near 14th street that has some restaurants.  Finger on the pulse, that Food/Travel section.

Orchard is premiering the new habitat video on Saturday.  As previously discussed, the most anticipated part won’t be from Austyn Gilette, but from whatever basement tapes of the golden era Popps/Wenning/Pluhowski that see the light of day.  They also posted up some photos of the construction of the new shop/gallery by Romek Rasenas.  Worth checking out.

-Speaking of Habitat, how rad is it that the recently established bi-costal purveyor of skateable boat shoes is getting coverage in New York now?  (see the header)

-Austin Kanfoush emerged out of the blue as one of our favorite skaters here at TC.  Between the rust belt charm of being from Pittsburgh, the fact that he skates in football jerseys and does wallie late shovits, or his sheer snaps, he has something for everybody.  Check out his shuffl video re-edit, his welcome part for Axion, or his interview over at 48 blocks.

More regular updates to come, hopefully.

Cape Cod breeds an idornate number of talented skateboarders: Bro Gumpright, Kevin Coakley, Zered Bassett, and most notable of late, Wareham’s Brandon Westgate.

Though initially overshadowed by the blinding light of Heath and the Boss, his part in Emerica’s latest low fidelity offering solidifies his transformation into technically infused overall gnar dude.  Multiple-tricks-over-benches pop, bs 360s in lines, and a Busenitz-esque penchant for speed all solidify his entrance into the ranks of Grant Taylor and Jake Donnelly class of new rippers who skate the way old dudes like.

With Chris Senn’s seeming unceremonious departure from Emerica’s professional ranks (one trick in the video, as far as I could tell,) young Westgate could possibly fulfil a northeastern flavored version of Senn Dogg’s role on the team.  The downhill double ollie line in San Francisco followed by the BS 360 conjure up memories of Senn in Jump Off A Building.  Albeit, there seems to be a conspicuous absence of transition, but his ability to mix speed and snaps with New York spots (see: gap to lipslide on the Union Square rail) offer up an appealing substitution.  And he’s doing that new fangled grinding up shit that the kids seem to enjoy these days.  High speed BS 5050s up handrails are no joke.

Other highlights from the late Robert Frost’s favorite skate video include Bryan Herman’s magical ability to make a part of skating schoolyards to Tom Waits look awesome, followed by a bunch of boring dudes in the middle.  Unofficial member of New York City’s skateboard vanguard Spakny “Kevin” Long’s trick selection continues to evolve, offering a bunch of those stupid combo grinds in additon to some wallrides and that back tail bigspin on the LA High banks. More handrails, followed by the perennialy awesome Aaron Suski.  A sleeper as far as anticipation and hype go, he delivers a solid section of transitions and handrails.  Skating spots he skated in Word of Mouth bring a smile to the face as well.  Nobody cares about Braydon, Jerry skates switch and probably cried a lot, Leo used a lot of baker-era footage from when he was less interesting (his part in the Toy Video will be bonkers) and The Boss is still the boss.

The whole video has that stop-motion-green-tinged thing going on, and it can get a bit old.  As they say, nature’s first green is gold, and it’s her hardest hue to hold.  Without the influence of the substance of your choice, the video can seem a bit over-produced, but beer and skate videos go together like, well, beer and most things.

The entire world goes on vacation over the summer.  Kids are out of school, and families can get away as a complete package to greener pastures, whatever they may be.  Card carrying dirtbag skateboarders circumvent the need to travel exclusively in the summer by avoiding responsibilities of any kind, thus opening up the rest of the year for travel.

5boro spent their winter bumming around the American south and listening to Irish classic rock, with a fun 3 minute watch-before-you-go-skate jammer to show as a result:

Some dudes took a two month train ride from Moscow to Hong Kong, which looked pretty good too:

And finally, Kenny Reed seems to have traveled across the world and found the spot for him to do the longest backside noseslide in the history of the world.  Somewhere in Lower Manhattan, Chad Muska weeps:

This.